11/5/2023 0 Comments Mystic messenger emails musical![]() ![]() ![]() 1879-1931), soon after his appearance as Lucien Garidel, became a producer his credits included Oh, Boy! (1917), Leave It to Jane (1917), and Oh, Lady! Lady!! (1918). Three of the male principals in The Pink Lady had significant musical theater careers. (John Doyle was certainly not the first to have instrument-playing singers on stage!) Dawn also appeared in several silent films. Trained as a violinist, Dawn played a violin solo during the waltz "My Beautiful Lady" in The Pink Lady and later reprised this talent in The Debutante (1914). She made her London debut in Dear Little Denmark (1909) and her Broadway debut in The Pink Lady. She met Ivan Caryll at a party in London, and he advised her to change her name from the "impossible" Hazel Tout to Hazel Dawn. The show's star, Hazel Tout (1891-1988), was born in Ogden, Utah and went with her family to Wales during her father's time there as a Mormon missionary. Mitchell's fast, fluid pacing was an absolute necessity in staging a farce such as The Pink Lady. Readers of this blog have also encountered two musicals on which Julian Mitchell (1954-1926), who staged The Pink Lady's musical numbers, worked: The Wizard of Oz and Babes in Toyland. Klaw & Erlanger produced over 200 Broadway shows, including revivals of Humpty-Dumpty, one of the musicals featured previously as a Musical of the Month. In 1896, they joined with others to form the "Theatrical Syndicate," a system of booking networks with theaters throughout the country. Erlanger (1859-1930), was a major force in late nineteenth century American theater. Klaw & Erlanger, the business partnership of attorney Marcus Klaw (1858-1936) and entrepreneur A. Just before The Pink Lady graced the stage of the New Amsterdam Theatre on March 13, 1911, Caryll and Stewart collaborated on the short-lived Broadway musical comedy Marriage a la Carte (January 2, 1911, Casino Theatre). ![]() After Belle played in New York, it transferred to London, where it was immensely popular. (Charles Morton Stewart) McLellan (1865-1916) previously wrote the book and lyrics for The Belle of New York (1897, music by Gustave Kerker) under the pseudonym Hugh Morton. The librettist and lyricist for The Pink Lady, C.M.S. The Pink Lady could be seen as a maturation of these shows, for the title character is no longer merely a girl but has become a lady. Examples include The Shop Girl (1894), Caryll's first big success as a composer for the Gaiety, The Circus Girl (1896), and A Runaway Girl (1898). Many of the musical comedies that played at the Gaiety Theatre had the word "girl" in their titles and often were Cinderella-type rags-to-riches tales. Edwardes was the primary creative impetus behind a new style of musical comedy that fused aspects of burlesque and music hall with the idea of narrative storytelling. Ivan Caryll (1861-1921, born Felix Marie Henri Tilkin), the show's Belgian-born composer, arrived in London in 1882 and eventually became musical director at the Gaiety and Lyric Theatres, both of which were managed by impresario George Edwardes (1855-1915). ![]() Many members of the musical comedy's creative team and stars had known one another in either London or New York. The music and plot were closely intertwined, with musical numbers advancing the storyline and dramaturgical aspects being emphasized through musical style. The Pink Lady's creative team included several significant names of the era, as did the original cast. This is indeed the case for the English-language musical version of the French farce Le Satyre by Georges Berr and Marcel Guillemaud. The Pink Lady (1911) is one of those delightful gems from a century ago with a title that suggests something eminently enjoyable. ![]()
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